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“The use of these raw materials in her work creates textured, layered compositions that writhe and breathe, almost coming to life through interesting layered surfaces and shining metallic highlights.”

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“When Dantonio first appeared, I looked, squinted my eyes, and had to look again – just to be sure that Michael Jackson himself hadn’t just risen from the dead.”

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“The uniquely African feel of this merry-go-round of romance, pranks and masquerades transcends the allusiveness that can sometimes accompany a Shakespeare play.”

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“Boasting a variety of displays with a myriad of themes including Africa, the Orient, Dinosaurs and even Space, Ripley’s Believe It Or Not simultaneously shocks, scares, informs, repulses and inspires.”

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“An extremely funny play, but underneath the humour is a razor-sharp commentary on religion, tradition and family values. The comic timing of the actors is superb and even the silences convey meaning.”

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“The tricky phantasms are simple and delightfully silly, with a strong element of humour in the constant surprises that the team has cooked up in their circus lab.”

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“In particular, the iconic balcony scene has some exhilarating lifts, while Laura Bosenberg’s easy playfulness and coy innocence makes it all the more endearing.”

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“It is a masterful choreography that journeys from a sensitive gestural beginning and builds to a relentless fervor of blurring turns and throws that are reminiscent of the aesthetic of world-renowned choereographer Akram Khan whom Agudo has spent many years working alongside.”

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“In the larger of the Bedouin tents, Jimm Harrison Project, Stone Jets and Red Tape Riot kept toes tapping and dancers dancing, as locals and visitors to Darling made friends over good food and great beer.”

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“As frontman Riaan Smit’s husky vocals filled the air and Nick Becker’s alto sax and Gareth Harvey’s baritone sax entered into vying duels, an incredibly electrifying energy ensued, making it very hard for the following band.”

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“Added to La Motte’s permanent collection are loaned pieces from various public and private collections. These provide an astonishingly rich view of Pierneef’s art throughout his lifetime, giving context to the man, the artist and the heritage.”

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“The play is rich and funny and very original. Clichés are out of the door, new comparisons are tested and age-old ideologies are brushed aside.”

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