Review: Ubuze Bam

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Young in PrisonLiterally translated as ‘my nakedness’, Ubuze Bam is a theatrical interpretation of the life events of four ex-inmates, all of whom have spent 10 years or more behind bars.

Theatre Arts Admin Collective has joined arms with the programme Young in Prison to create this searingly honest piece in which the performers – Lazola, Eric, Ntsika and Bongani – have spent just over a month rehearsing under the direction of Thando Doni. Prior to this performance, the young men had never acted, let alone witnessed a theatre production.

Young in Prison is a rehabilitation initiative which assists former inmates to transition back into society. The theory is that many ex-cons can learn a number of life-skills which will positively impact their behaviour, and thus reduce the reoffending rate. Originally, the project was meant to engage with youth and young adults who were still in prison, but due to the rat infestation and quarantine at Pollsmoor, the current post-release programme was conceptualised.

The initiative focuses on revisiting the past in a healthy and productive environment. Through a focused, five week-long process, these four participants have been encouraged to engage with and creatively express their stories, and have learnt more about what it means to contribute to society. Being involved in the creation of such a powerful piece of art also helps to break down their own negative perception of themselves. And this was made so evident when, as the show ended and the lights went out, above the cheering of the crowd we could hear the actors shouting celebrations of victory from behind the scenes.

As a prologue, the young men explain that the play is “about me and my friends; it’s our secrets”. And the resonating truth of that statement was only fully felt after the show was over. When meeting people, we often only reveal the best parts of ourselves for fear of being judged or ridiculed. So to find myself easily conversing with these men – just minutes after they been describing the violent crimes they had committed – was revelatory. I didn’t see former prisoners; I saw four lionhearted men who are breaking society’s mould.

The budget for Ubuze Bam is tight and so you shouldn’t expect exceptional sound and lighting. Also, a significant portion of the show was performed in the Xhosa slang of the prisoners which has the potential to leave the audience feeling disconnected from the story-telling.

However, the performance from the young men was deeply emotional and often chilling in its rawness. The level of bravery needed to admit their crimes and their failures and to show their vulnerability was awe-inspiring. While the show itself is artistic, impactful and astonishingly truthful, the greatest significance lies in the journey these men have taken and the healing that has come with it.

Kristan Wood
www.publicspirit.co.za

Ubuze Bam runs at the Theatre Arts Admin Collective in Observatory until 2 April 2016, and will also see performances in Delft (9 & 10 April), Khayelitsha (16 & 17 April) and Kraaifontein (23 & 24 April).

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