Neo Muyanga describes the score of the production as “based on the choral modes and harmonies of the old apostolic church playing in call-and-response against songs of ‘redness’ – the music of the Nguni tradition” and I, a descendant of both of these musical traditions became frenzied: singing along and clapping uncontrollably to familiar songs from the classic kwaito tune Thathi’ Isgubhu to the bewitching drumbeat of the folk song We Majola Phum’etilongweni. What an unexpected enjoyment!